Code of Conduct
We have developed a short code of conduct to ensure that everybody feels safe and happy and can get the most out of their experience at the Würzburger Improtheaterfestival. Reading through this code will give you an idea of our festival philosophy and values.

Cancellation of your workshop place
Until July 31st you can cancel your workshop spot and we will refund your festival fee minus an administrative fee of 30 Euros. If you cancel your spot after July 31st, we can only refund your participation fee minus the administrative fee of 30 Euro if we can fill your place - you are also welcome to suggest a person.

Liability
No liability can be accepted for self-inflicted accidents, wardrobe, damage to property and lost items.

The level system helps us building homogeneous workshop groups to ensure that everybody gets the most out of their workshop experience. Please make an honest and self-critical assessment of which level best suits you. We reserve the right to cancel bookings whose level does not match the stated level of the workshop.

This extended workshop aims to assist improvisors in becoming more charming & lovable on stage - even when playing the villain! Examine the parts of yourself that you may have deemed "wrong" or "bad" and find the levity hidden underneath. Bring a sense of play to seemingly unpleasant characters and taboo subject matters. Step outside of your own perspective to see the world through your character's eyes. Through a series of scenes/ exercises we will draw out our silly and serious impulses to give humanity and humour to the varied characters we create.

Lindsay Mullan is a Canadian Comedy Award- Nominated and Canadian Podcasting Award- Winning actor, improvisor, instructor, podcaster, and creator. She is an alumnus of the Second City Toronto Mainstage, an alumnus of the internationally-acclaimed improvisation theatre, Loose Moose, and a graduate of the Mount Royal University Theatre Arts Acting Program. Lindsay has worked as a performer for over almost two decades in various mediums (Theatre, Film, Television, Web, and Podcasting). As an artist she strives to create original and truthful work that tickles the funny bone and pulls at the heartstrings. Lindsay is currently based in Toronto.

For more about Lindsay visit www.lindsaymullan.com

Maybe you are a bit like me? I want the audience riveted, moved or even unbridled, hurdling through the galaxy when they see a scene. I want them talking about one another after they have left the theatre.
What makes the audience move closer to the edge of their seats? What makes them squeal with anticipation? Roar together with laughter? What makes them sigh in unison? What makes them look for each other’s expressions? Maybe this is ambitious? The good news is, it is often the same exact thing that makes playing the scenes such a joy and feel like every moment is fluid and obvious. It is what makes the work theatre. It is what gives the work a chance to be art. This workshop will look at all the components of a scene and particularly what the characters are involved in, do, suffer and solve: Game and Relationship, the two mechanisms we actors discover that can be separate and autonomous operating the scene alone or they can work in beautiful harmony combined accentuating, aggravating or foiling each other.
This workshop will work on the skills to strengthen work on game and relationship in scenes. Identifying the differences and similarities, and when the two blend seamlessly into one. Through very practical exercises and scene work the course will explore how to let the game become something you and your partner can obviously discover and joyfully heighten. Through scene work and exercises we will explore the ease, focus and confidence necessary to allow relationships to unfold. Being committed and vulnerable together for the audience will give them characters that lure them in and make them care.

Andrew Hefler is a beast performer, director and trainer working in theatre, music, film and television for nearly thirty years. He’s an actor at the National Theatre of Hungary, who has performed in more than one-hundred episodes of television, over 60 commercials, more than 20 films and sold the rights of 3 TV series. He’s also the founder of Grund Theatre and a long-standing member of the improvisational trio Scallabouche. As chief trainer and training designer, Andrew is providing skillbuilding for over 100 companies and thousands of people in communication, improv and acting, including media professionals and politicians in 15 countries, as well as universities, NGOs and charitable organisation.

For more about Andrew visit www.andrewhefler.com

Comedy or drama? Villain or hero? Educational or entertaining? Dumb or wise? While at first glance, stories, characters, scenes and actions might seem easy to label, we know deep down that there is more to them. A scene or a moment can hold multiple tones. There might be humour in tragedy, poignancy in farce, wisdom from the fool. This workshop will train us to find nuance in scenework. We will play with subtleties, less obvious tones and work on seeing things from different perspectives. Revealing these nuances can help us see things through other's eyes and discover new angles. Because people, problems, theatre and life are hardly ever black and white.

Lisa Rowland's first love is performing. Her background in scripted theater gives her a strong grounding in truthful performance and the allure of discovery and delight that improvisation offers has kept her scriptless since she began improvising professionally in 2006. Straight out of Stanford University, where she performed with the Stanford Improvisors, she joined the mainstage company at BATS Improv, Northern California's most acclaimed and longest running improvisational theatre company. At BATS, she created the renowned format The Bechdel Test, a show which puts complicated, multi-faceted women in the center of stories and has been performed worldwide.  She is a founding member of Improv Playhouse of San Francisco and Awkward Dinner Party. In 2012, Lisa was voted Best Actor by the SF Bay Guardian's Reader Poll.  She has traveled the world to perform on international stages with international casts and finds particular delight in the global improv community.

For more about Lisa visit www.lisarowland.com

foto credit: Lisa Keating